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Kaaki Sattai (Tamil)
In what could've been a scene originally written for a star hero, Sivakarthikeyan storms into a police station (in slow motion) as inspector Mathimaran and threatens some thugs who're creating a nuisance. He delivers a lengthy sermon about the sections under which he can book them. And just when you start to realise the seriousness of the scene, you're in for a twist. [more]


Enakkul Oruvan (Tamil)
Throughout 'Enakkul Oruvan', a remake of Kannada indie hit 'Lucia', we see Siddharth desperately trying to convince us that there's a highly talented actor within the star he has become over the years. [more]


Yennai Arindhaal... (Tamil)
The real heroes of 'Yennai Arindhaal', the third film in Gautham's police franchise after 'Kaakha Kaakha' and 'Vettaiyaadu Vilayadu', are the heroines Trisha and Anushka, for whom the film's best moments have been written. [more]


Tamiluku En Ondrai Azhuthavum (Tamil)
Right in the beginning of 'Tamiluku En Ondrai Azhuthavum' (TEOA), we're told (in the voice of actor Aadi Pinisetty) what we are going to see on the screen over the next 140 minutes. [more]


Darling (Tamil)
'Darling', a faithful remake of Telugu hit 'Prema Katha Chitram', is better than its original for the simple reason that it manages to entertain with a new set of actors. [more]


Aambala (Tamil)
Aambala', which directly translates to masculine, is like film made by 'Singam' fame Hari Gopalakrishnan, who is known for making films with flying objects, say cars and throws in some humans too occasionally. [more]


Yennai Arindhaal... (Tamil)
he real heroes of 'Yennai Arindhaal', the third film in Gautham's police franchise after 'Kaakha Kaakha' and 'Vettaiyaadu Vilayadu', are the heroines Trisha and Anushka, for whom the film's best moments have been written. [more]


Meagamann (Tamil)
Just like in the game of chess, how a move by your opponent might totally catch you off guard, the proceedings in Magilzh Thirumeni's impressive action film 'Meaghamann' achieves that. [more]


Naaigal Jakkirathai (Tamil)
There are some genuinely good and bad moments in 'Naaigal Jaakirathai'. [more]


Kaaviyathalaivan (Tamil)
At the end of 'Kaaviya Thalaivan', there's a side in you that wants to laud the effort of auteur G. Vasanthabalan, who has always strived to give us good cinema, especially for recreating a bygone era in grand style on screen. Then, there's another side that will ask why all his films with great potential don't get their due treatment. [more]


Poojai (Tamil)
Gopalakrishnan has written'Poojai' with the mindset that anything that comes from his camp will be lapped up by audiences, no matter how good or bad it is. After all, he's the master of commercial entertainers such as'Saamy' and'Singam'. [more]


Nerungi Vaa Muthamidathe (Tamil)
There's a thin line that divides being preachy and creative while addressing a burning issue. [more]


Yaan (Tamil)
"Yaan" gives you the feeling that here's a film that was solely made to entice audiences with stunning visuals. [more]


Yaan (Tamil)
Jiiva Thulasi Nair Nassar [more]


Aadama Jaichumada (Tamil)
There really isn't a story in "Aadama Jaichomada" to rave about. It follows a bookie, Dhayalan (Balaji), who plans to buy a bowler ahead of a semi-final cricket match. [more]


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